This week the L13s have been discussing the joy and pain of revision. For debut novelists, it's an exciting and scary time to receive a long form letter from your editor that breaks down all of the (many, many, many) changes they want you to make before they deem your book print worthy. My letter for WHISPERTOWN was 9 pages. Single-spaced. No big deal. I'm a pro. Sheeesh, 9 pages? Is that ALL?*
I followed the conventional advice, took some time to absorb the notes, jotted down some questions, then scheduled a call with my editor to bounce ideas. Cool. So far so good.
The conversation was wonderful and helpful. My editor is incredibly bright, warm, and encouraging. There was just one comment, in the midst of the call, that made me feel like I'd stepped into an empty elevator shaft. It went something like this, "You've got a pacing problem. You'll probably have to rip the whole thing apart to fix it."
Rip...the whole...huh?
Here's the thing, and I'm sure it's been brought up before, but a change creates a ripple that spreads throughout the manuscript. Many changes create many ripples. Combine that with rearranging scenes to fix pacing issues, and, well, you've got a bit of a logistical nightmare.
Editor: Lamar, are you still there?
Me: I'm here (breathe, breathe, breathe)
Editor: Now you're breathing really hard.
Me: Sorry.
So, I had a general idea of how to fix the problems we'd discussed. I needed to put together a new outline in preparation for a major rewrite. Same characters, same premise, same setting, but with some different areas of emphasis, some altered plot points. A lot of work, but it could be done.
Me: When should I get the outline to you?
Editor: The sooner the better, how about Monday?
It was Friday.
Me: No problem (breathe, breathe, breathe)*
While I've experienced a lot of joy with the realization of my life-long publishing dream, the weekend following this conversation was...daunting. While I could describe, in detail, the ups and downs of re-plotting my novel (on index cards because full-sized paper is scary) in an abbreviated time frame, I feel the following illustration will do:
With my mission complete, I submitted my outline and had it approved by the following weekend. Now I'm actively rewriting, with a much more generous deadline. Things are going well, and I know that, if I'm ever faced with a super tight revision deadline again, I can manage. I've worked for this my whole life. I can do this. I just have to relax and breathe, breathe, breathe....
*Actually, my wife came in when I was reading the letter. She asked me if that was sweat or tears rolling down my face. I told her it was probably a little of both.
*My editor is not really this strict, she would've worked with me if I needed more time, but I chose not to stretch this out. Despite moments of extreme anxiety, I am a professional. Sometimes deadlines are tight.
Saturday, June 2, 2012
Friday, June 1, 2012
Apocalypse Now: An interview with Martha Brockenbrough, author of DEVINE INTERVENTION
Today we welcome Martha Brockenbrough to the Lucky 13s blog! Martha is the author of DEVINE INTERVENTION, which hits the shelves today!About the book (from IndieBound): "Jerome Hancock is Heidi Devine's guardian angel. Sort of. He's more of an angel trainee, in heaven's soul-rehabilitation program for wayward teens. And he's just about to get kicked out for having too many absences and for violating too many of the Ten Commandments for the Dead.
Heidi, meanwhile, is a high school junior who dreams of being an artist, but has been drafted onto her basketball team because she's taller than many a grown man. For as long as she can remember, she's heard a voice in her head - one that sings Lynyrd Skynyrd, offers up bad advice, and yet is company during those hours she feels most alone.
When the unthinkable happens, these two lost souls must figure out where they went wrong and whether they can make things right before Heidi's time is up and her soul is lost forever."
Hi, Martha,
and congratulations on your Book Birthday! What inspired you to write DEVINE
INTERVENTION? Was there a particular event that inspired the story?
A whole lot
of things came together in my head as I was writing this book. When I was
twenty-one and just out of college, a friend who’d been in the class ahead of
me in high school died of cancer on her twenty-second birthday. She was one of
those miracle people: an incredibly gifted athlete, in the top of her class at
Harvard, beautiful enough to be painted in oils. Her death was a hideous loss
to the world, and at her memorial service, one of the speakers talked about how
they’d often discussed what they’d do “when our real lives began.” It was one
of those searing life experiences, realizing that death doesn’t care how good
or young a person is. Death will have you sooner or later, and the idea that
your lifehasn’t started yet—a totally common thing for young people to think—is
false. I don’t want to die with unfinished business, with things left unsaid.
And I started thinking about what a soul who dies young would want to go back
and do, and as soon as I did that, I had the start of a story. Not long after
that, I started hearing the voice of my guardian angel character in my head,
and I knew I had my story.
How would
you describe your main characters?
There are
two, Jerome and Heidi. Initially, I’d intended to tell Heidi’s story. She’s the
girl who suffers an unfortunate accident at a frozen pond. But Jerome, the
dumb-as-a-bag-of-hammers guardian angel assigned to watch over her, kept
finding ways to take over the manuscript. So I split it into two points of
view. Jerome is a bit of an idiot. He’s good-natured but wounded, the sort of
guardian angel you’d get if you are the person who always gets the short end of
the wishbone, the prize-free Cracker Jack box, the depressing fortune in your
fortune cookie. Heidi is just such an unfortunate person. She just doesn’t
realize before it’s too late how awesome she really is.
Yours is a
unique take on the specifics of the Afterlife. Did you research different cultural
traditions and beliefs about what happens when we die, or did these details
spring from the "mother wit" as it were?
I grew up in
the Catholic church, and like many children, had a specific idea of what heaven
would be like. But then my logical little mind, given the length of a sort of
sawdusty-feeling Sunday mass, started coming up with all sorts of questions and
possibilities. That’s what re-emerged in the book, minus the doodles I used to
draw on the back of the offering envelope. I have studied other religions and
belief systems, some of which come into play with my overall life philosophy.
But mostly, though, the heaven in the book is meant to entertain.
What was the
most difficult part of writing this book?
It’s always
hard to do something when success is not only NOT guaranteed, but statistically
unlikely. If you sit down to watch TV, for example, you’re almost certain to
succeed, despite how complicated remote controls have become. (In the
oldendays, the remote control was the youngest sibling. “Go change the channel
or I will burp in your face.”) Same with eating cookies. In my life, I’ve only
failed to finish about three, and one of those had mold on it. So it took a lot
of faith that I could finish it and then revise it enough times so that it
merited publishing. Fortunately, I had a lot of cheerleaders who picked me up
each time I faltered: my friends and family, and my agent, Jill Corcoran.
Cheerleaders
rock. On your website, you are identified as a "Solo Synchronized
Swimmer." Mightn't there be angels swimming alongside you as part of their
penance/Rehab and, if so, shouldn't they be given credit on the site as well?
Clearly. I
guess this means I’ll be going to hell for being ungrateful. According to the
Soul Guardian’s Handbook, this means I’m going to spend my eternity on Level I
of 9.
1. Level I. For those who have committed the
sin of Ingratitude, we offer a punishment of endless standardized tests. There
is some variety in the endless test-takery: Mondays are math; Tuesdays are physics;
Wednesdays are spelling; Thursdays are grammar; and Fridays are for essays.
There are no weekends in hell.
In addition
to being entertaining, DEVINE INTERVENTION takes on the issues of teen body
image, regret and family relationships. What do you hope readers will gain from
reading it?
Body image,
regret and family relationships, yes. They are all part of it. But the secret
language of squirrels is also part, and I hope readers gain fluency in this
that they never knew they needed.
Has your
background in professional writing and teaching been a help or a hindrance to
writing YA novels? How so?
It’s been
helpful. The more you can just sit down and put words on the page, the less
strange and scary it seems, and the more practice you have writing when you
would rather be (a) watching TV or (b) eating moldy cookies. Teaching is
helpful in that you have to really understand what you’re trying to say in
order to explain it to others. It’s made me think harder about complicated
things. Both have kept me busy, and if you ever want to get things done, make
yourself too busy to get things done. That’s the crucible for creative
miracles.
What advice
do you have for writers just starting out on the journey to publication?
The journey
is the only thing that matters, really. It’s the only thing you have influence
over. You decide how much you read, you decide how much time you spend thinking
and writing. Both are essential to building the skills you’ll need to succeed.
You don’t, won’t, and can’t control the outcome—but if you put in the right
kinds of effort over a long period of time, you stand an excellent chance of
becoming a better writer and storyteller. Get good enough at both of those, and
you’ll be published.
Do you
currently have a work-in-progress and, if so, does it adhere to or depart from
themes in DEVINE INTERVENTION?
I do! It’s a
really different book, but love and death once again play starring roles. This
time, though, there are no guardian angels, but there are secret messages, jazz
music, and a certain black cat who is much more than she seems to be.
Finally,
since this is the Lucky13s blog, do you have a favorite superstition?
In my work-in-progress, the number 13 is lucky. So
good luck to all the 13s—I can’t wait to read your books.
Thanks,
Martha, and Happy Book Birthday!
You can order DEVINE
INTERVENTION (Arthur A. Levine Books) online at IndieBound, Barnes & Noble and Amazon!
Martha Brockenbrough has interviewed celebrities (once in a private jet), founded National
Grammar Day, wrote game questions for Cranium and Trivial Pursuit, worked as a
strap cutter in a golf bag manufacturing company, taught high school students,
and edited MSN.com—and not necessarily in that order. Martha volunteers with
Readergirlz.com and lives in Seattle with her husband, their two daughters, and
their two dogs.
You can find her at:
http://spogg.org
This interview was conducted by
Lucky13s member Nicole McInnes,
whose Contemporary YA novel BRIANNA ON THE BRINK will be released Spring, 2013
(www.nicolemcinnes.com). The interview is part of an ongoing series of
interviews with The Apocalypsies—YA, MG, and children's book authors debuting
in 2012.
Thursday, May 31, 2012
Revision Me This
First revision letter. Second revision letter. Line edits. Copyedits. The whole process from beginning to end (full disclosure: I am not yet at the end, as I am currently waiting on my copyedits) is the best of the times, and the...
Well here's the thing. I am one of those people who just loves revising. So for me it was the best of times and then more of the best of times. Oh sure, there were moments when I felt a little overwhelmed and didn't know where to start... but I would say that my level of anxiety at those times was around the same I feel when staring through the freezer doors at the grocery store trying to decide which flavor of ice cream to buy. Yes, there is a chance I'll make a terrible choice (blech, this lemon meringue pie ice cream tastes like chemicals), but it isn't anything that I won't be able to easily fix (luckily, it was 2 for $5 and I bought some chocolate chip cookie dough as back-up).
If you are one of those people who also love revising, you are probably nodding your head and thinking, "yes exactly!" If you are not one of those people you are probably right now reading these words with the stinkface on full stank mode.
I know this face, because it is the same one that I get when those people who just love writing first drafts are like, "So how was your week? Mine was terrible. So unproductive. I was only able to finish three different first drafts." And my response is, "Oh yeah, wow, that's rough. I actually had a really great week. I got 1000 words down on the page and then thought really hard about what my next 1000 words might be."
For me first drafts are a slog, while revisions are fun and make me feel clever. Well, clever most of the time... except when I received my first round of line edits marking all of my repetitive word choices. Here's an example of an awesome sentence that was on the second page of my manuscript:
"Except the one missing piece - where I'd been during the missing year."
Speaking of missing, how many times had I read that sentenced and never noticed once the duplicate missing's.
Another revisions blooper was when my amazing editor very gently pointed out that I might want to weed out a few of the "just" and "though" word choices sprinkled throughout my manuscript. "Just" clocked in at 374 and "though" popped up 140 times. Oops.
And then there was "then." Also, "and then." And "back." My characters looked back, stepped back, went back in the house, handed something back, and went back to black. I also had things fall down. They couldn't just fall, they had to fall down. Otherwise, someone might be confused and think that maybe something had fallen up.
We will not get into my problems with punctuation. The forgotten commas. The unnecessary commas. But mostly my endless and ultimately futile struggle to use dashes correctly.
So yeah, that stuff was definitely not the yummiest ice cream choice... but still way better than having to start from scratch and invent a whole new flavor of ice cream.
Kate Karyus Quinn is the author of ANOTHER LITTLE PIECE, coming in 2013 from HarperTeen. You can find out more about her book on Goodreads, and read more about Kate on her blog.
Well here's the thing. I am one of those people who just loves revising. So for me it was the best of times and then more of the best of times. Oh sure, there were moments when I felt a little overwhelmed and didn't know where to start... but I would say that my level of anxiety at those times was around the same I feel when staring through the freezer doors at the grocery store trying to decide which flavor of ice cream to buy. Yes, there is a chance I'll make a terrible choice (blech, this lemon meringue pie ice cream tastes like chemicals), but it isn't anything that I won't be able to easily fix (luckily, it was 2 for $5 and I bought some chocolate chip cookie dough as back-up).
If you are one of those people who also love revising, you are probably nodding your head and thinking, "yes exactly!" If you are not one of those people you are probably right now reading these words with the stinkface on full stank mode.
I know this face, because it is the same one that I get when those people who just love writing first drafts are like, "So how was your week? Mine was terrible. So unproductive. I was only able to finish three different first drafts." And my response is, "Oh yeah, wow, that's rough. I actually had a really great week. I got 1000 words down on the page and then thought really hard about what my next 1000 words might be."
For me first drafts are a slog, while revisions are fun and make me feel clever. Well, clever most of the time... except when I received my first round of line edits marking all of my repetitive word choices. Here's an example of an awesome sentence that was on the second page of my manuscript:
"Except the one missing piece - where I'd been during the missing year."
Speaking of missing, how many times had I read that sentenced and never noticed once the duplicate missing's.
Another revisions blooper was when my amazing editor very gently pointed out that I might want to weed out a few of the "just" and "though" word choices sprinkled throughout my manuscript. "Just" clocked in at 374 and "though" popped up 140 times. Oops.
And then there was "then." Also, "and then." And "back." My characters looked back, stepped back, went back in the house, handed something back, and went back to black. I also had things fall down. They couldn't just fall, they had to fall down. Otherwise, someone might be confused and think that maybe something had fallen up.
We will not get into my problems with punctuation. The forgotten commas. The unnecessary commas. But mostly my endless and ultimately futile struggle to use dashes correctly.
So yeah, that stuff was definitely not the yummiest ice cream choice... but still way better than having to start from scratch and invent a whole new flavor of ice cream.
Kate Karyus Quinn is the author of ANOTHER LITTLE PIECE, coming in 2013 from HarperTeen. You can find out more about her book on Goodreads, and read more about Kate on her blog.
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